Eos User’s Guide Audio Damage, Inc. Release 1.1
Modulation Rate and Depth The modulation RATE and DEPTH knobs apply time-varying changes to the delay lines within the reverberators. Modulation in a
Reverb Frequency Multipliers The display near the center of Eos’s window that looks like a frequency-response graph controls several things. The shade
2000Hz; the HI CUT control has a range of 200-20000Hz. Change these settings either by clicking and dragging horizontally in the left and right areas
frozen, somewhat like a looped sample. When you turn the infinite button off, the usual decay time is restored and the reverb fades out normally. Obvi
· To cancel MIDI Learn mode without assigning a controller, hold down the SHIFT and CTRL keys (SHIFT and CMD keys on a Mac) and click in any empty ar
The information in this document is subject to change without notice and does not represent a commitment on the part of Audio Damage, Inc. The softwar
License Agreement BY INSTALLING THE SOFTWARE, YOU ARE CONSENTING TO BE BOUND BY THIS AGREEMENT. IF YOU DO NOT AGREE TO ALL OF THE TERMS OF THIS AGREEM
been subjected to abnormal physical or electrical stress, misuse, negligence, or accident, or (d) is used in ultrahazardous activities. DISCLAIMER. EX
Introduction Thanks for purchasing Eos, the algorithmic reverb plug-in from Audio Damage. Eos consists of three high-quality custom-designed reverb al
Installation Important Note for OS X Users: If you used a previous version of Eos and are updating to version 1.1, please manually delete the VST and/
Operation Eos can be used in a mono-in/stereo-out or stereo-in/stereo-out context. Of the three reverb types in Eos, one, Plate One, always sums its i
allowing you to set the pre-delay time more precisely. Eos’s pre-delay has a range of zero to 300msec, or 0.3 seconds. Size The SIZE control varies th
to emulate small to large rooms as well as plates. Plate One lacks the metallic sound of most plate reverb and plate emulations, except at small Size
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